I F$#@ing Hate the Social Network, That’s Why You Have to Watch It

I fucking hate The Social Network. Not because it’s a bad movie -it’s very good and you should see it. The reason I hate it is it’s too good. During the entire first half hour, I felt like I was in one of my recurring stress dreams where I’m back at Harvard. In this dream, I am walking into Memorial Hall and sitting down with a stack of empty blue books, and I have three hours to answer questions that I know nothing about in a language that I cannot understand. < shudder >

Most of the first act was shot at Harvard, and the House dorms looked about the same as they did over twenty years ago.  What was more ingenious was the portrayal of undergraduate life there which was spot on. With those pictures rushed back the anxiety over social status, ethnicity, money, and the general envy and dismay towards all the Winklevosses who were there and above all of us. Hooray for Mark Zuckerberg and Eduardo Saverin. They have changed the world.

Everyone who agrees, just poke me.

The new iPhone Netflix app end of TV

The iPad had the Netflix app first, and it was amazing, but expected on the iPad with its large gorgeous screen. The appearance of the Netlix app (and Hulu+ app) on my two year old iPhone 3G is worthy of comment. First, aside from iPhone, no other piece of portable technology has weathered aging as well. It is currently updated to iOS 4.0 which makes it slow, but the incredible thing about it now is I have access to thousands of movies and TV shows. It works best with a good Wifi connection, and makes cable or satellite TV irrelevant. The only time I watch broadcast TV is to watch live sports -and this usually on network TV over rabbit ears. I tried to cancel DirectTV a while back and they halved my bill after begging me to stay. Despite this, the writing is on the wall. TV is over. It’s dead. So are movies in theaters.

Yale Is Burning

This made the rounds a few weeks ago, including a nice article on The New Yorker. Watching it, I had to smile. As a Harvard Alum, I can tell you there is no amount of glee at 86 Brattle Street that can match this gleeful video. You either get it or you don’t. They want to select for an even creamier crème de la crème. This goes beyond being able to understand and appreciate pink polo shirts, munching on pistachios, grapes, and brie with a Gewurztraminer, or liking to sing show tunes in the shower while being completely heterosexual.

If you don’t get it, you will snigger at this video and apply to Princeton. If you really don’t get it, you’ll stop watching when the singing starts and you’ll apply to a Big Ten School. If you get it, but don’t get in, you’ll be perfectly happy at Amherst. And so on.

This inspires me to hark back to college, to the time when I hijacked the microphone at Naples Pizza in New Haven and proclaimed, “Yale Sucks!” And now, we have proof.

Dawn of the Dead -is all about us.

I recently watched the remake of Dawn of the Dead on Hulu while on call. In general, I find the horror genre either to be a thinly veiled subcategory of Chick Lit or generally too scary to watch. The first category, the horror Chick Lit or Chick Flick, are all the romantic vampire stories and beauty with beast fables. They are dreck even when an auteur like Joss Whedon labors to make them watchable. Something dark lies in the feminine psyche for fantasies about blood sucking, pasty faced, pretty boy immortals sells. The latter, the truly scary horror, deals in the supernatural. In the heart of all rational people, there is a primitive spot that wonders if there is good and evil and not just cause and effect. When a film taps this, and reveals the frightening voids and yawning chasms presented by contemplation and imagining of evil, even this fairly rational and educated surgeon can get a twee scared watching The Grudge in the dark (she looks like an ex-girlfriend).

But zombie movies? Not so! For some reason, I love them because I’m a doctor. The slow zombie era of Cesar Romero came to an end with the fast zombies of 28 Days Later (and its sequel, 28 Weeks Later). Zombie movies appeal to my inner infectious disease expert. In some way, I deal with the necrosis and suppuration every week, and seeing hordes of diseased people doesn’t seem too scary. It then boils down to how the undiseased people react in these circumstances which entertains me: by denying, by panicking, by getting armed, by having sex (more denial), and by getting oddly rational. When HIV began killing people in the late 80’s, the response was not unlike the plot of a zombie movie. There was fatal ignorance and denial, followed by panic, then calls for concentration camps, followed a neurotic mix of hedonism, consumerism, prudishness, and rampant heterosexualism. The collective sigh of relief was the announcement by Dr. Ho of multidrug therapy, as conceptualized by the not-gay and not down-low Magic Johnson just staying alive.

The most recent remake of Dawn of the Dead makes great fun with these concepts. The survivors of the plague hole up in a shopping mall, and all the zombies congregate there and mill about outside the locked entrances. And its the same now in the time of the economic plague that I see hordes milling about at our local mall. Despite the recession, the place is always full. I think people go there because going to the mall and shopping is a talisman of normalcy. After the horrible events of 9/11, President Bush told everyone to go shopping. Shopping! And that is what I see going on, the continued shopping for a little slice of happiness, is not unlike the zombies congregating at the mall in Dawn of the Dead. “I think its some retained memory they have that brings them here,” says one of the characters.

As a medical student, I was assigned patients and was their intern, responsible for their health. Never mind that most of them had HIV and were crack abusers, making them somewhat unstable. I learned to have a conversation with them, those who in another era would have been called possessed and unclean. I took the lessons of the plaque dedicated to the twenty medical students who died in the influenza pandemic of 1918, and understood implicitly the bargain I had to make. To be a good physician, I would have to take good care of all people. I performed central lines and spinal taps in poorly lit rooms on patients whose viral titres made them frankly toxic to be around with a needle, a scalpel, or broken glass (from lidocaine vials). I learned equanimity in the face of really horrible things like the gal who hid a roll of dollar bills in her abscess (pocket of pus) cavity on her lower abdomen. She’d pay for crack with those filthy bills and earned them by doing who knows what. If that trumps zombies, I don’t know what. I always wash my hands after touching money.

Eddie Murphy had a claymation animation sit-com in the 90’s called the PJ’s. It featured a crack addict who was spot on and completely true. Ironically, he was the straight man, and dished wisdom while eying the pigeons for a possible meal. The great tragedy in the AIDs/Crack epidemic of the 90’s was its victims who made to the hospital after living on the streets for years were incredible specimens. They had to be to survive for as long as they did. They were all tall, lean, and if you looked past the insanity, wear, tear, and grime, were usually good looking with good bone structure -think Na’Vi, twenty years after the aliens from Earth returns to Pandora, colonize them, and put them on reservations with their sensory pony tails cut and cauterized at the stump.

We forget that the heroes of the Zombie movies are in fact, the Zombies. Once infected and left to wander around for fresh brain, they are the perfect citizenry. Their behavior is predictable, and their intentions are true. They offer no political resistance by asking no questions, and their happiness lies in fresh brains. Substitute fresh brains for fresh fruit out of season, perfectly-red meat packed in styrofoam and plastic, and giant homes in the suburbs, and you have it. The real monsters in Zombie movies are the protagonists, they with their guns and fire, keeping the thronging mobs from their happiness and fulfillment.

So stop being a wet noodle! Go, run out and buy yourself some Zombie pickle and get happy! A good place to start: On January 27th, Apple will present their next great thing, by the way, you happy Zombie.

Escape from the Uncanny Valley -why Avatar is groundbreaking

The uncanny valley is the revulsion caused by robots and computer generated images that try to mimic human faces. It was coined in the 1970’s by Masahiro Mori (link) and is the reason why watching Polar Express makes me jump up and down like a rabid chimpanzee. CGI movies that maintain their cartoony-ness avoid this problem.

So it was with a bit of suspicion that I went to see Avatar, expecting to jump up and down like a rabid chimp as soon as those blue goat people got on screen. I was wrong. James Cameron understood this implicitly and created an image capture system that follows actors facial movements and maps it directly to the blue Navi’s. The actors are really acting and the computer generated animatronics are imbued with emotion that greatly exceeds that of the actual human actors.

Avatar is great in the way that Titanic was great. The main character in Titanic was the ship, and in Avatar, it’s the escape from uncanny valley. The script is a Disney princess movie on steroids, but the real reason you should see Avatar is this entirely new way of experiencing the world.

I have to add, I have always felt virtual reality won’t work until all five senses are involved and Cameron seems to understand it as well -to access the avatars, the characters lay down in an MRI machine -it is through electromagnetic manipulation of nerves that true telepresence will be achieved.

Elvis, by Wowee, straight from the Uncanny Valley

The Coda

the planOne of the greatest television shows ever created was Battlestar Galactica as reimagined by Ronald D. Moore.  The Mini-Series brought the core of the show, a story about a nuclear holocaust and the travails of the survivors, and brought it into the present with an examination of our culture at war without and within. It showed the best of humanity and its worst, and showed the Cylons to be far more complex than an army of Terminators. The whole show ended earlier this year with a very memorable and complex finale that capped an opus that stands up there with the best storytelling. So it was with a bit of trepidation that I downloaded and watched Battlestar Galactica: The Plan. Some people panned it as an editors’ cheap trick, a kind of über fan-film of the kind you watch and cringe at on Youtube.

I disagree. It filled several plot holes that never made sense in the original series, such as the appearance and disappearance of the Librarian Six, known as Shelley Godfrey. I enjoyed this because it fills these plot holes. But like the filler that is used to repair actual pot holes, the patch work is noticeable. The scenes visually jump around and older original footage runs into obviously freshly shot footage that tries very hard to look seemless but isn’t. They also left you with a final plot hole -the whereabouts of a dark haired 6.

That said, it is a fitting coda to a great series. They really should stop now. I only hope they don’t try to make a movie. There is a spinoff, a prequel, called Caprica that looks at the origins of Cylons, but it rates only about 6 out of 10 where the original miniseries was an 11.

Idiocracy -the greatest movie created by Fox, and buried by it

SNC10668I just picked up Idiocracy from Amazon (link), finding this gem for all $4.99. It can be found on Youtube in bits and pieces. It is a brilliant indictment of our cultural decay. After it was made, it was released in only 7 cities and then conveniently buried. Rupert Murdoch, owner of the News Corporation, Fox, Fox News, 20th Century Fox, and much of the pro-Bush media likely had a hand in killing this movie which savages the corporate supported dumbassification of the land.

It can be interpreted as elitist, but elitist in the sense that smart people monopolize intelligence in an unfair way. The genius of this movie is that if you’re really stupid, you will laugh your ass off.

Nobelist Paul Krugman (they hand out those things to everyone these days) and NY Times columnist and Princeton Economics professor discusses the demise of American public education in his column today (link). Education was once celebrated. A generation ago, The Paper Chase was popular. Today, it’s variations on Jackass.

Top Ten Recipes from Cormac McCarthy’s The Road

roadThe Road is an important book, a big book, an Oprah book. It is now a Weinstein production, and soon we’ll be inundated with The Road publicity. As much as I like the book, I dread the movie. All reports are that it takes a book so hard to read into a movie that is miserably difficult to watch. Then again, it could be a great big fail and turn out to be just another zombie movie.

Thinking about this, I twittered my top ten recipes from The Road:

  1. Lady Fingers
  2. Hush Babies
  3. Mock Roast Turkey
  4. Nice Piece of Ass
  5. Babyback Ribs
  6. UnMystery Meat
  7. Chewy Tubes Cormac n Cheese
  8. Really Sloppy Joe
  9. Meat and No Potatoes
  10. Roadkill Haggis

The Ramen Girl

brittany_ramenI saw a movie with the family last night -it featured two of my favorites -Ramen and Brittany Murphy. Ramen is not just the dried cup noodles which are taste like hot water poured on nacho chips. It is an art form and the Japanese rightly elevate it to something akin to martial arts and artisanal cheese making. The secret recipes are closely held family jewels and Brittany Murphy shows up asking for them. She is largely overlooked currently, but I think she is one of the most important actresses of our times and would like to see more of her in cinema. Clearly, the director didn’t know how to use her potent dramatic range, but she gave it all she could. I give the ramen 4 stars out of 5, Brittany 3, and the movie a solid 3 stars.